Showing posts with label Chris Pratt. Show all posts
Showing posts with label Chris Pratt. Show all posts

Tuesday, September 25, 2018

New Release! Jurassic World: Fallen Kingdom (2018) [No spoilers]

Spoiler-Free Review - Read On!


Director: J.A. Bayona

A surprisingly grim, dark entry into the typically fun "Jurassic" film series, this movie didn't completely seem to know what to do with itself.

I'll admit right off that I'm not a particular fan of dinosaur flicks. Sure, I was dazzled by the original Jurassic Park back when I saw it as a 17-year old in 1993. The effects were amazing, and it was vintage "fun" Steven Spielberg fare, with a great cast and perfect balance between tension and humor. But I never felt any great allegiance to the series itself. If I ever saw the sequel, I can't recall it. And I'm quite sure that I never saw the third film. Still, when my family wanted to check out the revival movie Jurassic World a few years ago, I joined in. I found that movie fairly fun, but ultimately I thought it devolved into a CGI scramble resembling a lame shooter video game during most of the third act. When I saw trailers for its follow up, Fallen Kingdom, I had little interest, which waned even further when I saw the tepid reviews flow in. My instincts were correct.

Picking up in "real time," three years after the disastrous events depicted in the previous movie, the island home to the now-free dinosaurs is about to literally explode into a volcanic inferno. The lone surviving person who had a hand in creating the original Jurassic Park is attempting to spearhead an illegal rescue operation which will bring as many of the dinosaurs as possible to a new, safe island preserve. To do so, his estate enlists Claire Dearing (Bryce Dallas Howard) to aide by bringing in former raptor trainer Owen Grady (Chris Pratt) to the island during the extraction. The two go along, but things soon turn both highly dangerous and very sinister. The island's volcano begins erupting not long after Claire and Owen's arrivals, and it also becomes clear that the military units ostensibly sent to rescue the dinos are really there to bring them back to the mainland to be sold as commodities to the highest bidders.

One of a few lazy story elements, the introduction of a "newer,
even scarier" dinosaur - the "Indoraptor." And there are Pratt
and Howard, taking part in the horror movie that the film
becomes for its entire third act.
This movie was simply very little fun to watch, and this is the one thing I hope to get when seeing a dinosaur movie. It's what the original film gave us all, and any subsequent movies in the series are foolish to think that they can do otherwise. There is a little bit of banter that Chris Pratt's expert comic chops help to sell, but these are very few and far between. No, instead, this movie features a lot of genuinely upsetting moments. Dinosaurs drowning to death. More dinosaurs getting roasted alive by lava. The surviving dinosaurs getting tortured and carted off to be sold. Those dinosaurs being further tortured, and then nearly gassed to death. There is a lot of animal pain and suffering on display in this movie, and it's simply unpleasant to watch. I can only imagine how upset I would have been had I been a young child, thinking I was going to see a followup to Jurassic World, the previous movie which had much of the fun of the original film. It's as if the filmmakers had actually wanted to do a documentary warning us against animal cruelty, but decided to fold the message into a Steven Spielberg franchise.

As if the tone of the movie weren't dark enough, much of the film is visually very dark. Aside from roughly 30 minutes on the island, the movie takes place at night, in the rain, and in a dark, imposing mansion. It truly is more of a suspense/horror movie for much of its length, rather than the action/adventure films that all of the previous entries have been. On top of that, Fallen Kingdom takes a stab at some profound commentary about man meddling with nature. To do so, the filmmakers decided to bring back Jeff Goldblum's highly memorable Dr. Ian Malcolm, but merely as a bookend to highlight the unoriginal idea that "if man meddles, he should be ready to face the consequences." And the consequences in this movie have rather dire implications.

The follow-up movie is already in the works, and Fallen Kingdom sets it up in rather grim fashion. I was happy to take one for the team and join some of my family for this last one, but I'll be skipping out on this franchise's next adventure. 

Sunday, April 29, 2018

New Release! Avengers: Infinity War (2018) [Spoiler-Free 1st Section]

Spoiler-Free Section - Have No Fear!

Directors: Joe and Anthony Russo

Fans of the Marvel Cinematic Universe (MCU) will almost definitely love, or at least highly enjoy, Infinity War. Those who are apathetic or even averse to the ever-sprawling juggernaut of superhero films will hardly be won over. In fact, the latter group may very well despise this movie.

Tying together many tiny threads that have been laced throughout the previous 18 MCU films, Infinity War follows Thanos, the "Mad Titan" from the so-named moon, whose grand ambition is to gather all six of the immensely powerful Infinity Stones, gems that allow dominion over aspects of existence such as mind, space, time, and others. Most of the stones have been intermittently introduced in previous MCU films: the Space Stone back in Captain America: The First Avenger; the Mind Stone in The Avengers, and so on. Thanos is an incredibly powerful alien who has long waged a campaign to basically "thin the herd" of populations which have grown too unwieldy to manage themselves. When he determines that a planet has reached such a point, he brings in his armies to kill half the population, at random, leaving the remaining half more than enough resources to flourish. Thanos's ultimate scheme now is to gather and control the six Infinity Stones, granting him the power to eliminate half of the population of the entire universe with no more than the snap of his fingers. To stop him, the many heroic characters from the previous films must use every resource at their disposal.

Right off, I'll admit that Infinity War isn't the best MCU movie. The scale is so epic, and the number of balls needing to be juggled is so large, that there was no way that a single film could provide satisfaction on every possible cinematic and storytelling level. In this movie's case, what gets sacrificed is real emotional depth and notable character development. The movie does actually provide a bit of depth to the imposing Thanos, a character who has only been shown in brief glimpses a handful of times in the previous six years. And there is a sense of loss concerning a couple of key characters. Also, for those who have followed and enjoyed any of the individual characters from previous MCU film series, the third act is bound to have some impact for you. On the whole, though, this is as purely plot-driven a film as the MCU has offered us to date. Anyone who has preferred the smaller-scale MCU flicks like Ant-Man or Spider-Man: Homecoming, thanks to those films' greater focus on a few people and their relationships, may find the flashy, rip-roaring pace of Infinity War too dizzying and shallow.

Yep - that is indeed Spider-Man and Iron Man grouped up
with a few members of Guardians of the Galaxy. Such cross-
over teamings are part of the fun of
Infinity War.
For my part, I greatly enjoyed the movie. The directing duo Russo brothers had a lot of moving parts to rein into a single narrative, and they actually did an admirable job of it. This movie is bringing together no less than twenty different characters from well over a half dozen different movie "franchises," and having them band together to try and save quite literally half the universe. The main appeal of such an enterprise boils down to two things: what will the dynamics be when different characters interact, and how exactly will they stop an immensely powerful and determined force like Thanos? Well, the tale does an excellent job of entertaining us through these aspects of the film. Within the first few scenes, we get Spider-Man and Iron Man meeting up with Doctor Strange, and before long Quill and the Guardians of the Galaxy run into a very familiar Asgardian. As the disparate characters begin to coalesce into various teams and fill each other in on exactly who Thanos is and what he wants, the tale comes together in a rather satisfying way. As the heroes attempt to rebuff the initial attacks by Thanos's underlings, their powers, creativity, and mettle are tested in ways that make for some fun viewing.

The ending of this film is already causing some mixed reactions among movie-goers. Though one can assume that certain developments will be undone (the Infinity Stones are virtual game-breakers), there were certainly a few heroes who seem to have truly met their ultimate end. This was bound to upset fans of those particular characters. And while I was expecting a slightly more self-contained movie, I found the ending fine for what it is. The MCU overlords have always billed this movie as the first of what is basically a two-part story, with the second, still-unnamed, chapter set for release in May of 2019. It will feel like a rather long wait for the follow-up, but I believe that it is set up to actually be the stronger of the two films. Much of Infinity War had to be given over to set-up and Thanos's blitzkrieg attack, and when it is all said and done, it will likely feel more like acts one and two of the greater whole.

Infinity War is a success, for what it is. It's what DC films like Man of Steel and Batman v. Superman were trying to be in many ways but mostly failed to be. Short of making a TV-style, five or six-hour mini-series, this movie was never going to have enough time to please everyone across the movie-viewing spectrum. I think the Russo's trimmed away what they needed in order to create a cohesive movie. It's far from the most heart-felt or ponderous MCU flick, but it's strong popcorn entertainment for those looking for fantasy action/adventure of the superhero variety.

Fun fact - this exact scene never actually happens in the film,
but scenes very similar to it do unfold. Good to see Okoye get
a few good moments and one-liners in there, too.
Spoiler Section!! Beware!!!

Here is where I get into a few of the details that I enjoyed or didn't, and nearly all of them could potentially ruin some of the fun for you, if you haven't seen the movie yet.

As covered generally above, the greatest weakness of this movie is simply that there just isn't enough time for any character, or even group of characters, to particularly shine. One thing I've loved about my favorite among the MCU movies is that several of the characters have developed clear personalities, which themselves can carry a movie. Tony Stark and Steve Rogers are the two most obvious, but even less prominent characters like Doctor Strange or Bucky Barnes/The Winter Soldier have compelling enough backgrounds to make them engaging. Due to the reality of time constraints, however, no character is given much more than fifteen minutes of total screen time, and much of that is action. Amazingly, the writers did work in several solid dialogue exchanges that included some solid humor, but the scope of the film and its plot demands were such that one was bound to be disappointed by how little exposure their favorite characters would get. Ant-Man and Hawkeye aren't even in the film at all, despite the former having one film on the shelf and a sequel coming in a mere two months.

Another unfortunate result of the massive scale of the movie is that the losses don't have the emotional impact that one would hope for. Part of this is because of the limited dedication to emotional depth. Again, if one has fallen in love with certain characters, then the impact will be there, but that will have to have come from your previous viewing(s) of those characters' own movies. The deepest emotional tale in the movie involved Gamora and Thanos, but Gamora's death will only have resonance if one has enjoyed the two Guardians of the Galaxy movies (and for my part, I never found the connection between her and Quill terribly organic). And the demise of a character like Loki, one of the cornerstone villains of the MCU, lacks the power that it could have had in another stand-alone "Thor" movie. This is all to say nothing of the fact that the mere existence of the Infinity Stones tells us that whatever happens can be changed or undone, which is what I fully expect will happen in next year's follow-up film, though not everyone will be resurrected.

Oh, and we never get to see the Hulk really "smash," which is something I've greatly enjoyed in the previous two Avengers movies and Ragnarok. It is pretty cool that Thanos's raw physical strength is made clear by his almost dismissive thrashing of the jade giant early in the picture, but it would have been nice to see him leaping around and pounding a few platoons of alien invaders into Wakandan rhino meat. I have to assume that this is all a setup for Banner's Hulk persona to make a big splash in the sequel.

Those are my "superhero fanboy" gripes, and they are what keeps Infinity War from being among my absolute favorite MCU movies. When I set aside my fandom and just look at it as an objective cinephile, the movie fares worse, for reasons I mostly cover in the first section of this review. But I am a massive fan of these films, so it is in this vein that I describe what I enjoyed.

The movie does a decent job of elevating Thanos above being
a mere mindless, power-mad force of destruction. This has
been a severe weakness in many of the MCU films.
As stated, I think the actual plot is extremely well-managed. While Thanos's motivation is rather simplistic, I can justify that when I consider that most massive-scale zealots become that way by oversimplifying complex dilemmas. Rather than try to use creativity or imagination to solve large-scale population problems, Thanos falls back on brutal genocide and justifies it by telling himself that he is doing an honorable and difficult task which only he has the strength and will to carry out. I'm glad that the writers did find a way to add a couple of extra layers to the giant purple killing machine in the way of his backstory and his connection to Gamora. They weren't exactly high emotional drama, but they worked well enough.

And the many heroes' planet-jumping dash to find and stop the Mad Titan is spun very well. Especially if one has followed the various characters in the previous films, there is a very logical progression as to how they seek each other out and ultimately muster for their grand defense in Wakanda. Speaking of, I actually rather enjoyed the movie's use of the fictional African country as the staging ground for much of the ultimate battle. Even though I had just rewatched Black Panther the weekend before seeing Infinity War, I was far from tired of the setting.

With where things stand in the MCU currently - with literally half of the population obliterated, including half of our beloved heroes - this should be a great moment for the MCU to "clean things up," so to speak. I think if Infinity War shows us anything, it's that there is a breaking point for just how many "superhero" characters one put in a a movie and still have that movie provide depth as well as rousing action. Captain America: Civil War was just barely on the right side of that line, while I think Infinity War crossed over to the wrong side of it a bit, watering down what is in many ways a fun flick. Now, however, if MCU president Kevin Feige and his creative team play their cards right, they can pare things back a bit. Once Thanos is dealt with and much of his damage undone (I presume the Time Stone will play a fairly big part in this), the universe can probably be reworked a bit, allowing the future films' creators to go in directions different from what we've yet seen. I'm still well on board, even these ten years later.

Re-Watch Report (Still Spoilers...)

I enjoyed the movie enough to go take it in, IMAX 3-D style, ten days after the first viewing. I'm pleased to say that I enjoyed it even a little more upon a second viewing, even if it doesn't change a few of the purely, objective "story" weaknesses that it will never escape. To whit, full enjoyment of this film simply requires that the viewer has seen at least eight of the previous 18 MCU films. Without that familiarity with the characters' backstories, most or all of the emotional weight is simply not there.

For one like me, on the other hand, who is a big enough fan to have watched every single previous MCU film multiple times, this movie does hold up exceptionally well. As with most movies, the first viewing was all about seeing the plot unfold. With that out of the way, I was able to focus more on the pacing, visuals, intricacies of the narrative, and even the action choreography. Somewhat surprisingly, all of these aspects hold up extemely well under closer scrutiny.

As far as the action, thanks to seeing it on an IMAX screen, I was once again reminded of just how good the Russo brothers are at fight scene design and pacing. I'm generally not a particular fan of action films, but I do greatly appreciate very well-done action sequences that are neither too fast (I'm looking at you Paul Greengrass and the Bourne movies) nor addicted to slow-motion (looking even harder at you, Michael Bay). As they did with their two previous Captain America films, the Russos do brilliantly with Infinity War, which is on a much larger, literally interplanetary scale. It would have been really easy for them to lean too heavily on the CGI and simply send a bunch of digital garbage flying across the screen at all moments. Instead, they actually offer more than a few wide shots, use negative space, and give certain sequences enough room to breath a bit. This all greatly enhances the scope and scale of the larger moments, both those involving action and those which are more meditative.

The other strength that emerges is the larger theme of sacrifice and its connection to one's soul. The running question through Infinity War is: is a single life worth sacrificing, if it is likely to guarantee the safety of many, perhaps millions or more, other lives? From the opening sequences right through to the end, this question is faced by several different characters, with different choices being made. Heimdall decides that his own life is worth losing to give the universe a chance to fend of Thanos. Loki makes as if he's willing to give up Thor's life to save his own, only to turn the tables and lose his own life. Quill faces the choice of having to kill Gamora, at her behest, in order to prevent Thanos from being able to use her. And on it goes. It's not shocking that Thanos is willing to sacrifice the daughter he loves to his greater cause. Much more curiously, though, is that not every "hero" makes the choice to value the single life of a loved one over the many other lives at stake. Quill actually pulls the trigger on Gamora, and Wanda makes the move to destroy the Mind Stone, in effect killing her beloved Vision. The ultimate emotional fallout from these decisions will hopefully be explored in next year's Avengers film, but it all serves as a clear running theme that draws a fairly clear line between Thanos and those who seek to stop his mad scheme.

For anyone still considering it, I would suggest seeing the movie in IMAX. Much of the movie was actually filmed with IMAX cameras, so it fits the screens perfectly, and it really brings out the epic scale of everything. The 3-D is also well-done, so it's worth it, if that's your thing. More importantly is that the movie really is a great one for MCU fans. Few things prove that more than when one enjoys it even more upon a second viewing, as I did. 

Sunday, May 7, 2017

New Release! Guardians of the Galaxy Vol.2 (2017) [Spoiler-Free first section]

Spoiler-Free Section

Director: James Gunn

Really fun follow-up to 2014's first Guardians film.

Guardians of the Galaxy Vol. 2 is the 15th movie in the ever-growing Marvel Cinematic Universe (MCU). Unlike most of the MCU films in the last several years, though, a viewer does not need to see multiple previous MCU films to fully enjoy this one. Seeing the original Guardians movie is really the only recommended prerequisite to staying up to speed with volume 2.

Volume 2 does a really nice job offering a different narrative from the first movie. Whereas much of the first was a typical "meet the players and get the team together" tale, this one involves seeing how the five "Guardians" deal with themselves and relationships their teammates while being splintered from some of the others. Circumstances force several of them to ally themselves with enemies introduced in the first movie. While this device can feel a bit awkward and forced in other movies, writer and director James Gunn handles it well. We get some fun combinations of heroes, anti-heroes, and outright villains in ways that are often highly entertaining.

Probably the one element that separated the first Guardians movie from other MCU offerings is the highly playful, irreverent tone. The sequel gives us just as much subversiveness as the first, and perhaps even a little more. While there are certainly a few moments that go for sentimentality, they are done fairly well, and they never rob the movie of its seemingly primary goal of kicking the legs out from under many standard tropes of action/adventure movies. It's not an easy balance to maintain, but Gunn has shown himself rather adept at the trick.

Yes, Baby Groot is as cute as advertised. Blessedly, I don't
feel that this adorability was overused. It was close, but
they managed to use him fairly equitably.
The humor is still right on par with the first movie, as well. While not every one-liner or gag lands perfectly, more than enough of them do. It helps to have several actors with solid comic chops, most notably Chris Pratt, Michael Rooker, and Bradley Cooper's voicing of Rocket. These and several other lesser players strike just the right balance between the rollicking intensity and the snarky fun that have become the hallmark of this segment of the MCU. One of my big concerns for this movie, after seeing the trailers, was that the movie would overdo the "cute" factor with Baby Groot. Fortunately, Gunn didn't lean too much on the admittedly adorable tiny version of the ponderous tree creature. Groot certainly has his moments, but I didn't feel that he was shoe-horned into scenes just to keep the attention of viewers under the age of 10.

One of my few issues with the first Guardians film was that the third act devolved into a fairly typical massive-scale fireworks show against a one-dimensional villain. Though Volume 2 certainly ends with plenty of color, explosions, and manic action, the primary adversary shows a little more creativity and novelty than the rather dull Ronan of the first film. This villain isn't exactly the most sophisticated or complex in terms of their grand scheme, but they are a relatively unique entity, not unlike Dormammu in Doctor Strange.

In the grand scheme of the MCU, I have this one in the upper half of the canon. I don't find it quite as consistent, imaginative, or fresh as what I've found to be the very best movies (The Winter Soldier and the first Avengers are still my favorites). But this is still a great popcorn movie that offers fans of the first film the same brand of fun, with a welcome dash of alterations to the original. I'm already planning to go to a second viewing.

In the first film, Nebula is a rather one-dimensional enigma.
In the sequel, fortunately, she becomes more compelling. She
and Yondu add just the right spice that a good sequel needs.
Spoilers Ahead - Fair Warning

So just a couple of things about certain, specific plot and character elements.

Firstly, I'm pretty happy with how the characters were handled, all around. One of my few gripes about the first movie was that we didn't get to see quite enough of Drax or Gamorrah fighting, given that they were reputedly galaxy-class weapons of destruction. We get a somewhat better idea of it in this one. I especially like the showdown between Gamorrah and Nebula on Ego's planet. Nebula reaches the potential suggested in the first movie. As for Drax, I love how he's written and handled - his penchant for bellowing laughter in the most awkward or dangerous situations just doesn't get old to me. Nor does his oblivious disregard for social niceties.

Curiously, I didn't exactly find Ego to be the most compelling villain. I think his nature as "The Living Planet" is actually interesting and creative, but once again Marvel comes up with a villain whose ultimate plan is basically to simply take over the universe. For what, exactly? Well, that's not made completely clear. I will admit that Ego does a better job of justifying and explaining it than certain other superhero movies (I'm looking at you, Thor: The Dark World and Suicide Squad), but it's still nowhere near as fascinating as a well-conceived, if smaller-scale, villain like Civil War's Zemo.

I'm curious to see just how the Guardians tie into next year's Infinity Gauntlet, seeing as how Starlord presumably no longer has the power to handle Infinity Stones. I feel that Nebula is more likely to play some sort of direct role in the tale, given her burning desire to avenge herself upon her sadistic, adopted father Thanos. This was a nice setup to that massive picture for next year, without having it feel terribly forced in this one. 

Saturday, June 27, 2015

New Release! Jurassic World (2015)

The Mosasaurus in the poster is one of the most
awe-inspiring visuals in the movie.
Director: Colin Trevorrow

Plenty of popcorn fun for most movie-goers. Discriminating viewers will need to turn off their brains a bit, though.

If, like nearly all of the modern world, you saw the original 1993 Jurassic Park, then you can guess what to expect from the plot. Yes, there are a few updates and tweaks to the mythology. By the time Jurassic World starts, the original park has recovered to its status as a Disneyworld-like destination theme park of the highest order. Various species of the long-extinct dinosaurs have been brought to life through the marvel of genetics, and they are running all over the mountainous and tropical terrains of the island. Of course, it isn't long before something goes amiss, thanks in great part to the hubris of several people involved in the park's operations.

In this particular episode of the series, the missteps of the human scientists, greedy capitalists, and a military zealot coalesce into the terrifying form of a murderous new species of dinosaur, dubbed the Indominus rex. The Indominus, which is a mysterious hybrid of initially-unknown species, breaks free of its prison and goes on a kill-crazy rampage around the island. This sets up many different action and suspense sequences, pitting Indominus against other dinosaurs as well as platoons of human soldiers sent out to take down the monstrous beast. For those who like plenty of action and aren't bothered by heavy use of high quality CGI, then the movie will give you more than your fill.

For my part, the action became rather dull by the mid-way point of the film.  There are some scenes and sequences that I found rather clever and entertaining, especially during the initial escape of the Indominus. Eventually, though, the movie became a near-blur of hundreds of dinosaurs running and flying around while thousands of humans either ran from them or tried to shoot them. There were times when I couldn't shake the sense that I was watching a massive multiplayer online first-person shooter video game. It also didn't help that there was almost no initial build-up to the actual reveal of the dinosaurs or the park, which robbed the film of some potential awe factor.

The plot does nothing to enhance or evolve action adventure movies, either. The human element takes the form of two brothers, the hyper intelligent 12-year-old Gray and his detached 15-year old brother Zack. The two get stuck in the wild as the Indominus wreaks havoc, which predictably becomes a bonding experience for the siblings. There is nothing exactly wrong or offensive about these characters or their story, but there's also little that is especially interesting about them, either. Gray's implied genius - the one possibly fascinating character trait that either of them have - is somewhat underused.

After seeing how well he played a rebellious, funny action
hero in
Guardians of the Galaxy, it was a little disappointing
to see Chris Pratt have to work from an oft-lukewarm script.
Other characters fit a little too well into adventure movie stereotypes. You have Claire, the career-obsessed "ice queen" female who needs disaster, dinosaurs, and a strapping hunk to remind her that human lives matter. You have Owen, the savvy, swaggering adventuring "man of action." The latter is actually given enough depth to make him interesting, but he still is the one who saves the woman and children from the rampaging thunder lizards around them. It's a basic story arc that would have been right at home in a 1940s western starring John Wayne.

All that said, I can't say that the movie was bad. There are just enough clever moments, decent jokes, and grand spectacle to fulfil its promise to summer moviegoers. It's an escapist flick with a whole bunch of dinosaurs stomping around. The movie's attempts to get profound or funny may fall flat much of the time, but the essential fun is there. Kids who love dinosaurs will get plenty of excitement from it, and anyone wanting to have a little harmless amusement at the movies are likely to enjoy it with them. 

Wednesday, August 6, 2014

Guardians of the Galaxy (2014)


*For those interested, I did a big run-down of all of the Avengers movies to date. Here's the post.

Director: James Gunn

Spoiler-Free Reaction

If you haven't seen the movie yet and are asking yourself, "Would I enjoy it?", here's a simple test: Have you seen any of the previews that show the talking raccoon and the sentient tree creature? If you have and you did not roll your eyes at the ridiculousness of it, then you need to go see the movie.

This movie is plenty of fun, though it fell just a hair short of my expectations. Now I must admit that my expectations were extremely high, given the strength of several of Marvel's Cinematic Universe movies of late, so this is not to say that Guardians has any major issues. Minor ones, certainly, but they really don't detract from making it a great return to the unfiltered fun of sci-fi adventure films of a few decades ago.

There's nothing exactly novel about the basic story: immensely powerful and destructive object is coveted by megalomanical bad guy - in this case, a genocidal zealot named Ronan - and a band of reluctant rogues must join forces to stop him. This movie, though, turns a lot of the details on their ears, making the rogues a bit odder than your typical big budget action flick. In fact, it's probably the most bizarre grouping of heroes to be featured in such a well-funded movie. And it works, for the most part.

Don't laugh too hard - this fuzzy little guy carries large
sections of the movie. Who thought that a successful update
to the Han Solo character could be so bizarre?

While the plot itself tries to be a touch too intricate, the story does what it needs to - gives the five main characters a reason to fight through various obstacles and enemies, bond with one another, and fire off plenty of great banter. No, not every joke is a home run, but there are certainly enough to carry the film.

The basic characters are intriguing and full of potential. Some of that potential is met, most notably with Rocket and Groot, but it falls short with others. This was probably my single biggest disappointment in the  movie. I feel that more could have been done to define, solidify, and showcase all five of the 'Guardians' abilities and personalities.

The cast is, my eyes, nearly perfect. Nearly. Chris Pratt and Dave Bautista nail their parts as Star Lord and Drax, respectively. The voice acting by Bradley Cooper is an absolute highlight, and yes, I suppose I can say that Vin Diesel does fine with the many intonations of the phrase "I am Groot." However, I have to say that I found Zoe Saldana far too relaxed in her portrayal of Gamora. This characters is supposed to be a jaded, stone-cold assassin, but this doesn't always come through. Some of this is the dialogue, which wasn't always consistent in tone, but I felt that Saldana might have played it a bit icier.

The visuals are what you would expect, especially if you've seen Thor: The Dark World. There are plenty of vibrant landscapes and epic, fast-paced space battles. The CGI is top-notch, but there's a bit too much of it for my taste. Call me old school, but I still yearn for the lower-tech days that called for more use of models for the spacecraft fights. Segments of the movie blur into a massive multiplayer online video game, best fit for excitable pre-teens.

I know this all may seem like a lot of criticism, but really, all of it is fairly minor. Thanks to some humorous dialogue, the casts' ability to sell it, and a relentless attitude of irreverence towards overly serious sci-fi action movies, it's hard to imagine many people simply not liking Guardians of the Galaxy.

Spoiler-Laden, Detailed Thoughts (mostly little gripes, really):

The opening of the movie is a tad sappy, though it doesn't dwell too long on the source of Quill's emotional baggage. Think of it as a blessedly shorter version of the tear-jerking opening of Pixar's Up.

I was also a bit disappointed by the fact that the majority of the aliens were basically painted humans, with perhaps a prosthetic set of ears or headgear. I expect that from Star Trek TV shows, which had budget constraints and had to pump out 24 episodes every season. I don't expect it from a one-shot movie that has Marvel's exploding nine-digit budget to play with. I mean, if Lucas could do it in 1977 in Star Wars, and del Toro could do it in 2004 with Hellboy, couldn't we have gussied up a few more six-armed or three-headed weirdos? If not, at least give me a brief, plausible explanation as to why the Xandarians all look exactly like humans.

Drax and Gamora - they're cool characters, but ones who
I feel were never given their true moments to entertain
through administering more serious beat-downs.
Am I the only one who was a tiny bit underwhelmed by Gamora and Drax? The former is billed as a galaxy-class assassin, while the latter is spoken of as a terrifying juggernaut of rage. This had me hoping for a true demonstration of their supernatural abilities in the forms of hordes of enemies falling under the blades and fists of these supposed death machines. Yet this never quite happens. Sure, they each knock out their share of opponents, but we never get the grander scale arse-whooping by the protagonists that we get in nearly every Avengers film. Think Iron Man vs. terrorists in the first film. Thor against the frost giants. Captain America montage versus Nazis and Hydra. Hulk versus the entire Centaurian army. That kind of arse-whooping. Quill gets some of this, and even Groot and Rocket have their moments of badassitude. So why not the two members who are presented as possibly the most fearsome of the crew? It was disappointing.

There also seemed to be a slightly lax attitude towards certain details in the story. None of them destroys the plot, but they certainly could have used a little more thought. One such is how Quill, Gamora, Rocket and Groot are initially captured on Xandar. The latter three are all hauled in by the Xandarian police force for starting a shoot-out in an attempt to capture Quill for the reward on his head. However, we later learn just how intelligent and resourceful Rocket truly is, and how much Gamora is supposed to be. Yet this cunning assassin and bounty hunter never once realized that starting a shootout in a public square would result in their apprehension? It's a bit sloppy, both on the characters' parts and the writer's part. This is one of several minor oversights that, while not ruining anything, prevents the tale from being as tight as it could be.

To be clear, I did really enjoy the movie. In fact, I'll likely go see it in the theaters again, and this is the true test of whether a popcorn movie has done its job. This movie does its job.